by Quilt Alliance | Jun 17, 2013 | On this Day in History Quilts series
On this day in 1885, the Statue of Liberty, a copper and iron statue given as a gift of friendship by France to the people of America, arrived in New York Harbor in 350 individual pieces packed in more than 200 crates. The words of American poet Emma Lazarus were used for the statue’s plaque, including the now-famous line: “Give me your tired, your poor/Your huddled masses yearning to breathe free.” Carol Anne Grotrian made this quilt, titled “Light of Liberty” in 1986. The quilt was Grotrian’s prize-winning entry in The Great American Quilt Contest with the theme “Expressions of Liberty,” commemorating the Centennial of the Statue of Liberty in 1986. Rather than a literal image of the Statue of Liberty, Carole Anne Grotrian presents an abstract view of the Statue, Bedloe’s Island, and the light emanating from Liberty’s torch from above. Gotrian donated the quilt to the New England Quilt Museum. View this quilt on The Quilt Index to read more about it’s history, design and construction. Be sure to use the zoom tool for a detailed view. Sources: http://www.history.com/this-day-in-history/statue-of-liberty-arrives Posted by Amy E. Milne Executive Director, Quilt Alliance…
by Quilt Alliance | Jun 16, 2013 | QSOS, QSOS Spotlight, Uncategorized
There are plenty of stories in the Q.S.O.S. archives about moms and grandmas–many quilters describe how they learned the art of quilting from a mother or grandmother–but there are many stories about fathers, too: from fathers with a knack for sewing, to husbands who are always willing to take the kids while we pick up a few more things at the quilt shop! Today’s Q.S.O.S. Spotlight features two interviews with quiltmakers who share stories about what their fathers taught them, as well as an interview with a quilting dad: Richard Tims, father of renowned quilter Ricky Tims! Victoria Findlay Wolfe of Bumble Beans, Inc. described how her father’s job as a upholsterer provided early quilt inspiration: “My father had an upholstery business in Minnesota and I grew up on a farm in MN… When I started sewing, I had one of those Barbie sewing machines that had a glue cartridge that you would put in and it would put glue dots on the fabric. That really worked well (laughter). Then I moved up from there gradually and would steal my father’s scraps and upholstery sample books. I’d sew them together on my mother’s Singer. I remember him teaching me how to do a blind stitch and I thought it was the coolest thing in the world because you couldn’t tell there was a seam on the outside finishing it up. I thought it was pretty cool cause it looked like my Dad’s work then.” Jill Herndon describes a quilt she made for her father: “I give quilts as gifts. I have made a special quilt for almost every member of the family. It’s become somewhat of a family tradition. It’s become a wonderful emotional bond with each person who has a unique quilt and the conversations with each one are very unique. One I made for my father has been on TV… It was a departure. I scanned photographs of him from when he was a boy through to his eightieth birthday, and printed them on fabric. And then I framed them in kind of crazy Log Cabins and embroidered a center panel that says it is Edward Beverly Herndon’s quilt. He has hung it at the end of his hallway with lights on it and there are many touching stories about it… It was before people started talking about scrapbook quilts. This is something people do a lot now, and I can see why, because it was really a celebration of my father and of our relationship, that he taught me how to sew, he taught me how to photograph, and he was an inspiration in my going into information technology as a career so that I knew how to handle all of the [scanning and.] printing on fabric at home, using my own computers and printers.” Richard Tims tells the story of starting to quilt while working as a truck driver: “Why did I start? Well, I was working with the trucking company and I was working four days on, and four days off and I didn’t have nothing to do around the house but nothing, and I says if Mama can make a quilt at 85, Richard surely you can make one at 65, and I started in. And I worked four days off in here by myself and then I’d go back and work my four days and come back work another four on the quilts. Something to play with, pass time away, and it just kept getting bigger and bigger and bigger.” You can read more stories from quiltmakers (and their fathers!) at the Quilters’ S.O.S.- Save Our Stories page on the Alliance’s site. Posted by Emma Parker Project Manager, Quilters’ S.O.S.- Save Our Stories…
by Quilt Alliance | Jun 14, 2013 | On this Day in History Quilts series
On this day in 1777, the Continental Congress adopted a resolution stating that “the flag of the United States be thirteen alternate stripes red and white” and that “the Union be thirteen stars, white in a blue field, representing a new Constellation.” According to popular history Philadelphia seamstress Betsy Ross designed this first national flag, nicknamed the “Stars and Stripes.” Laura Maria Ott Myers of Erath, Texas made this Stars and Stripes quilt around 1910 and it was later quilted by Inez Lee. The quilt was identified and reviewed during the Texas Sesquicentennial Quilt Association’s Texas Quilt Search, which happened between 1983-1985. Karey Bresenhan served as quilt historian and described how the quilt is somewhat of a rule breaker: “…it is full of movement and images, yet the pieced stripes don’t match up, points in stars are cut off, the quilt edge ripples. . . .yet it is inspired.” The quilt is included in the book Lone Stars: A Legacy of Texas Quilts, Vol. I, 1836-1936, by Karoline Patterson Bresenhan and Nancy O’Bryant Puentes (Austin: University of Texas Press) and was included in an exhibition by the same name in the Texas State Capitol Rotunda, Austin, Texas, April 19-21, 1986. View this quilt on The Quilt Index to read more about it’s history, design and construction. Be sure to use the zoom tool for a detailed view. Sources: http://www.history.com/this-day-in-history/congress-adopts-the-stars-and-stripes Posted by Amy E. Milne Executive Director, Quilt Alliance…
by Quilt Alliance | Jun 13, 2013 | On this Day in History Quilts series
On this day in 1910, William D. Crum, an African American physician from South Carolina, was appointed the U.S. minister to Liberia. Previously he held the positions of delegate to Republican National Convention from South Carolina, and U.S. Collector of Customs in Charleston. Leona Johnson of Monrovia, Liberia, made this Zinnia Variation quilt in 1992. “The quilt was brought to Flint, Michigan by the maker’s sister’s son, Rev. Emmanuel Bailey. Emmanual goes to Monrovia, Liberia about every 6 months to see his relatives and to work on the building of an orphanage for the victims of war. He put his order in for these quilts last January and then picked them up in August.” Michigan State University Museum purchased two of Johnson’s quilts from Rev. Bailey for its permanent collection. View this quilt on The Quilt Index to read more about it’s history, design and construction. Be sure to use the zoom tool for a detailed view. Sources: http://www.blackfacts.com/fact/437c4392-71d2-4e53-9fe0-d6c3d5c89f72 Posted by Amy E. Milne Executive Director, Quilt Alliance…
by Quilt Alliance | Jun 12, 2013 | On this Day in History Quilts series
On this day in 1929, Annelies “Anne” Marie Frank was born in Frankfurt am Main in Weimar Germany. Frank died from typhus in the Bergen-Belsen concentration camp in 1945. Her father, Otto Frank, the only surviving member of the family found Anne’s diary and worked to have it published in 1947. Anne wrote in her diary, “When I write, I can shake off all my cares.” Elrid Benson Johnson of Brookfield, Wisconsin, made this Diary Quilt in 1992. Johnson made the quilt to track the first year after her husband passed away, one block for every day. “An ugly fabric represented “bad” days. Each strip represents a month. The colors of the sashing between the strips go from white (for January) through greens and blues and back to white again for December. The quiltmaker has a journal she kept the year quilt was made.” Johnson documented her quilt as part of the Wisconsin Quilt History Project. View this quilt on The Quilt Index to read more about it’s history, design and construction. Be sure to use the zoom tool for a detailed view. Sources: http://en.wikipedia.org/wiki/Anne_Frank Posted by Amy E. Milne Executive Director, Quilt Alliance…