Get your holiday shopping done and support the Quilt Alliance too!

Our first week of TWENTY auction quilts went on sale on eBay.com on Monday, November 11 at 9pm Eastern. All quilts are 20″ x 20″ and the starting bid for each is only $60. The quilts will be offered through December 9 in four one-week auctions. Click here to view and bid on the quilts on eBay. Click on any of the quilts below to see a larger view. The 7th annual contest and Auction, titled TWENTY, celebrates the Alliance’s 20th anniversary, and documents the work of 93 artists from 26 states and 5 countries. The annual small quilt auction is one of the Quilt Alliance’s most important fundraisers, supporting projects like Quilters’ S.O.S. -Save Our Stories and Go Tell It at the Quilt Show, and enables our participation in projects like the Quilt Index. The Alliance contest theme is traditionally open-ended to challenge the creativity of quilters from all corners of the quilt world– traditional, modern, art, applique, embroidery, machine quilting, hand quilting and those whose work falls under several of these categories or none at all. The only strict requirements of each year’s contest are the size of the entry (usually 15-20″ square) and that the construction include 3 layers. The 2014 theme is Inspired By and entry forms will be downloadable in December, 2013 on the Quilt Alliance website. This year it all starts with inspiration. Entrants will be able to pick from our online Inspiration Gallery featuring quilts from The Quilt Index and Quilters’ S.O.S. – Save Our Stories projects, or select your own source to inspire your original…

Growing Quilts, Harvesting Support.

Every year I make a quilt for the Alliance’s fundraising contest.  I love doing this for so many reasons, but the one I want to share with you is how important this is for me as a quiltmaker.  I get to play with new ideas on a small scale and try new techniques as I think about each year’s theme… But wait a minute!  All my quilts have been about gardens! That being the case, please allow me to escort you on a garden tour, to show you how these contest quilts themselves have “grown” each year.  I want you to see all the techniques I’ve discovered along the way and incorporated into my subsequent work. 2008 The Home in the Garden In this quilt, for the first time, I tried printing a photograph onto fabric and then enhancing it with hand embroidery.  It was like “painting by numbers” a little bit, very easy, and so much fun.  I’ve made many home portraits since this first one. Freeform applique as applied to crazy quilting was another first for me, discovered while making this quilt.  Now it is my preferred method of choice for creating any crazy quilt block. Here is how those white patches look sewn down….. ….and then hand embroidered with crazy quilt stitching.  Another first: only using one color for all of the stitching on the seams.  Again, this is something I do a lot now. Giving the central section an on point setting allowed for some fun in those four blue silk corners. A confession!  I dripped some juice on that blue silk and could not get it out!  So, do you notice those white mother-of-pearl butterflies?  You guessed it.  And again, what I tried here I’ve used since, so in later quilts, if you see butterflies you’ll know they’ve flown in to solve some dilemma…… 2009 Ode to Tamar Flowers, not quite gardening, became the subject of the next quilt.  This gave me a chance to revisit a favorite technique from my early quilt years, Broderie Perse, which is a style of applique using printed elements to create a scene on the background fabric.  Combining Broderie Perse with a crazy quilt background and border of small blocks was this year’s adventure. A pile of cut out flowers, ready to arrange in collage fashion. I have made more floral collages than I can count, but it had been several years…so I was loving this! The collage is set and ready to sew down in this picture. I’ve pieced the border blocks and have begun arranging the all black background fabrics. The top is all finished and awaiting embroidery. The black background reminds me a lot of the white background in The Home in the Garden. The fabrics and stitching again each only use one color. Many quilts of mine now use these strict design parameters. In case you were wondering who the Tamar is in my quilt’s title is, this label gives the answer.  While I could not replicate the quilt by Tamar North pictured here, it totally inspired the making of mine.  Using antique crazy quilts as a jumping off point for my own interpretations has also become a recurring theme for me since making this quilt. 2009 Garden Lace I enjoy printing my own floral arrangement photos onto fabric.  For this quilt, I wanted to try using nothing but these fabrics in a quilt to see how it would look. Fusing lace over wide ribbon, and then using that to cover the seams between fabric  patches, was another new idea in this quilt.  Every year, I learn so much working on my Alliance quilts! 2010 Granddaughter’s Flower Garden My cousin Tracy Seidman painted this watercolor of our grandmother’s house.  After printing the image on fabric, I set it in a border of vintage Grandmother’s Flower Garden blocks.  This began my continuing explorations of combining vintage blocks with crazy quilting and embroidery. Three dimensional flowers were prevalent in my work at this time, so I had to add some to this quilt too. 2011 Soil and Sky The theme for this year’s contest was “Alliances”.  I can find a relationship to gardening in any contest theme, and this year’s quilt was no different…to me, the relationship between soil and sky is truly a romance, not just an alliance. This quilt combined my own printed fabric (including imagery of paintings of tomatoes I found online, after I received the painter’s permission to use them), some Broderie Perse, three dimensional vegetables instead of flowers, and for the first time, stitched writing on the quilt.  I wish I had used a darker thread color so that the words are easier to read.  But these small quilts are great for teaching us what to do better next time. Those tomatoes are so great!  In the upper left is a photograph of tomatoes growing in our garden, too. The carrots are vintage millinery (can you imagine a hat with carrots on it?).  Their tops were another experiment for me.  I tried doing some machine thread-painting on water soluble stabilizer, rinsing the stabilizer away, and gluing the resultant “carrot tops” to the carrots. I read this quotation on the Facebook page of a man whose life’s work has been teaching small scale sustainable agricultural practices to villagers all over Africa, via the Peace Corps.  And how true this sentiment is! Click on the picture so you can read it. Except for the writing not being dark enough, this is my favorite of my Alliance quilts.  But there are two more that I loved making too and that have taught me a lot, so read on… 2012 Washougal Valley View For years I had tried to figure out how to integrate a little machine quilting into my heavily embroidered and embellished crazy quilts.  It seemed to me that those two surface treatments were mutually exclusive.  But for this quilt, I was determined to find a way. The vintage blocks–and some flying geese strips I had made years ago of vintage fabrics–were put to work for my background.  How I love using those old blocks and fabrics!  They contrast well with the sky, which was hand painted by Mickey Lawler, of SkyDyes. The hills of my view of the Washougal River Valley came next, along with a fragment of hand dyed Battenberg lace for the lower border area, a gift from my dear friend Michele Muska. I added a little cabin, symbolic of my own home, and some three dimensional flowers to the foreground.  And….there is the quilting!  It’s in the sky! This is the finished quilt, in the house shape for the theme  “Home is Where the Quilt Is”.  I loved absolutely every second, making it.  I’ve made several other quilts with my little home in them, too, including the next one… 2013 20 Years in the Garden While this year’s quilt is not a crazy quilt per se, after years of embroidery making crazy quilts, there was no way I could depict a garden in a quilt without it. The quilt is well along in this photo.  You know my process by now! A little trick I discovered is shown here.  My bed of silk ribbon lettuce needed some definition…so I used a permanent marker directly along the edge of the ribbon after it was stitched into place. Risky!  I knew if it didn’t work, I could snip out the ribbon and try again…but I didn’t need to, at least, not this time…. My husband is always trying to get me to spend more time in his garden (weeding, I suspect.)  But this kind of “gardening” works for me!  I am gluing the squash leaves into place. The quilt is finished, and ready for its adventures this summer at various exhibits, and then to go to its new owner’s home after it is auctioned off. Always, always label your quilts.  People in the future will want this information!  On my label is my husband’s garden, the inspiration for this quilt, where we have indeed spent twenty happy years. I hope you can see by now what an important and thoroughly joyous part of my quilt life making the Alliance contest quilts has been. Won’t you make one too?  You’ll be so glad you did, surprising yourself at what you learn.  And you will feel such satisfaction, helping this wonderful cause of documenting, preserving, and sharing quilts and their makers’ stories. And thank you for taking my tour!  See you in 2014….. Allison Ann Aller is an award-winning quilter, author and teacher who has served on the Quilt Alliance board of directors since 2009. See more of Allie’s work, including more great tutorials and works in progress on her blog, Allie’s in…

Tiny Desk Exhibition: Ramona Bates

The 7th annual Quilt Alliance contest theme is TWENTY and all quilters who love quilt history and believe that every quilt has a story worth sharing are encouraged to enter. This year in honor of our 20th anniversary as a nonprofit organization, we celebrate “twenty”: the numeral, the concept, the quantity, the word. All techniques and materials are encouraged. Entries must be a quilt (3 layers–top, filling and backing) and conform to our contest guidelines. Postmark deadline for entries is May 1, 2013. The Grand Prize winner (to be chosen by a panel of three professional quilters/designers) will receive an HQ Sweet Sixteen machine quilting system by Handi Quilter, Inc.  Download entry forms here. Here is a Tiny Desk Exhibition (love those NPR Tiny Desk Concerts) of Alliance contest quilts made by Alliance member Dr. Ramona Bates of Little Rock, Arkansas. Ramona donated these miniature beauties between 2009-2012 and each quilt now lives in the collection of a generous quilt fan. Click on the link below each quilt to see materials and techniques Ramona used along with her artist statements. These quilts are also documented in The Quilt Index, along with all Alliance contest quilts (browse them here). Meet this Member! Visit Ramona’s Blog, Sutured for a Living, and find out more about this talented plastic surgeon with a passion for piecing (and knitting, and dogs and knitted items for dogs…). Thank you, Ramona, for giving your time, talent and treasure to this organization. As you help us save the stories of quilts and quiltmakers, we are so proud to preserve and share your own quilt story. I hope you enjoy this Tiny Desk Exhibition. Please share with a friend! Posted by Amy E. Milne Executive Director, Quilt Alliance…

Meet a Member: Patricia Hobbs

On This Day in History Quilts posts will return tomorrow!  Alliance member Patricia Hobbs of Macomb, Illinois was our Grand Prize winner in the recent 2012 membership drawing. Pat won the Amazing Aurifil Cotton Thread Suitcase, with 216 gorgeous colors. I’d like to take this opportunity to launch a blog series I’m calling Meet a Member, where we’ll spotlight some of the generous, talented folks in our community of members. Our members include many who quilt, and some who do not. Pat is a quilter and a lifelong artist; in fact, she taught art for over forty years. Pat has donated four stunning quilts for the Quilt Alliance contests, one each year since 2009 (see the Tiny Desk Exhibition of these quilts below).  And as a member, she has volunteered to help with Alliance events like greeting guests in our contest quilt exhibition at the AQS quilt show in Paducah. Thank you, Pat and all our members, for supporting the work that we do, contributing your story and your quilts to our documentation, and for caring deeply about preserving the tradition of quilting for future generations. When Pat heard the news that she’d won this bonanza of Aurifil thread she said, “I am so excited to have won the suitcase of Aurifil. I never thought I would be the winner of such a wonderful prize. I am guilty of sometimes using cheap thread in the past, but will certainly feel like a queen using such fine Aurifil thread.  I do believe in the work and projects of Quilt Alliance especially that of telling and keeping quilters’ stories. I have learned so much from this organization and enjoy the annual small quilt auctions. It is impressive to see each quilter’s design and special interpretation of the yearly theme.” And after Pat received the thread suitcase, she told us: “It is one thing to be excited about winning the thread, but to sit and hold the Aurifil thread collection in my hands is a dream come true!” Here is a Tiny Desk Exhibition (love those NPR Tiny Desk Concerts) of Pat’s Alliance contest quilts from 2009-2012. Click on the link below each quilt to see materials and techniques used in each quilt and to read and hear Pat’s artist statements. These quilts are also documented in The Quilt Index, along with all Quilt Alliance contest quilts (you can browse them here).   Posted by Amy E. Milne Executive Director, Quilt Alliance…