Documenting Our Community: Quilts for Pulse

Here at the Quilt Alliance, one of the best parts of our jobs is hearing from people who have incredible quilt stories to share. Often, these stories are about the quilts they have made–stories straight from the maker about the joy and work of quiltmaking. But we also love hearing stories about how quilts have impacted communities. One of the reasons the Quilt Alliance founded the Go Tell It at the Quilt Show! project in 2012 was to capture the stories happening all around us that did not quite fit the mold of our Quilters’ S.O.S. – Save Our Stories (QSOS) oral history project. QSOS was launched in 1999 to record the history of today’s quiltmakers in their own voice. Interviewees were invited by volunteers to share a broad picture of their life as a quiltmaker in a 30-40 minute interview recorded on audio cassette or digital audio. In the twenty years since QSOS was founded, over 1,200 interviews were documented and are now archived in the American Folklife Center at the Library of Congress. A small sample of the collection is now available with transcripts, indexed descriptions and full audio here: qsos.quiltalliance.org/gallery. With support from the quilting community, the entire QSOS collection will be available for listening, searching and browsing on the new site by the end of 2020. Find out how you can sponsor a QSOS interview and ensure its timely transitioned to the new site. In contrast, Go Tell It! is a video documentation project designed to capture the stories of quilt lovers where they gather. Because one does not need to be a quiltmaker to participate in this project, we have been able to gather stories about quilts from family members, collectors, guilds, historians, curators, industry leaders and people who own and love quilts. “Tellers” are sometimes the maker of the quilt they share in their video recording, but just as often, the telling is done by someone else connected to the quilt. The age, style, genre, purpose, size, and origin of the quilts shared in Go Tell It! videos run the gamut from antique crazy quilts to award-winning modern quilts to quilts made for social causes. At QuiltCon 2017, Quilt Alliance staffer Emma Parker recorded three Go Tell It! videos that featured three members of the Orlando Modern Quilt Guild talking about their Quilts for Pulse project. At QuiltCon 2016 in Savannah, Georgia, Sarah Lauzon, Jodi Peterman and Sharleen Jespersen each stood in front of the Quilts for Pulse exhibit and told the story of how their guild went about collecting blocks, quilt tops and finished quilts to comfort and support those affected by the tragic shooting at the Pulse Nightclub on June 16, 2016 in Orlando, Florida. Unlike most Go Tell It! videos, these three describe a collective effort – the story of 1,800 quilts, instead of one. The Quilt Alliance was proud to be able to document, preserve and share the stories of the Quilts for Pulse project, and we invite other guilds and groups undertaking community projects, large and small, to consider recording their stories with our DIY Go Tell It! guidelines here. Click on the thumbnails below to switch videos. …

Quilt Puzzle: Name That QSOS Interviewee 04

Your Quilt Jigsaw Puzzle Tip: for best results, solve puzzle on this page on a desktop computer or laptop. If you are solving on a mobile device, click on the puzzle piece icon in the lower righthand corner to solve on the Jigsaw Planet website.  Welcome to another quilt jigsaw puzzle from Quilt Alliance! This month, we’ve got a new challenge for you! See below for clues. Be sure to sign up for our blog notifications, so that you don’t miss any of the upcoming puzzles.   Name That QSOS Interviewee! This week’s puzzle spotlights a quiltmaker who was interviewed for the Quilters’ S.O.S. – Save Our Stories oral history project on August 5, 2011. This interview is one of the first 20 interviews added to the new QSOS website to launch our QSOS 20th anniversary year. The Quilt Alliance is in the process of a major update for the project that will include searchable audio recordings and transcript, interview summaries and keywords and photos. The entire collection is still viewable on the QA website here, but this new site, when completed (hopefully by early 2020), will make the collection of more than 1,200 QSOS interviews with quiltmakers far more accessible online. Visit the new QSOS site with sample interviews here and consider making a $25 donation to sponsor an interview! Clues: Excerpts from the Interview Excerpt 1 Interviewer: Tell me about the quilt you’ve brought today to talk about. Interviewee: The quilt that I’d like to talk about is the one hanging over here behind us called “Everything but the Kitchen Sink.” I started it about 15 years ago. I was an occasional quilter, and then I became a mother. There was at a point where I was making a lot of quilts and children’s clothes for my daughter Beatrice. I wanted to make her quilts when she was a baby. But I would never make the perfect quilt for her. I ended up making her about 20 quilts. None of the quilts were ever good enough for my daughter, so I cut them all up and accumulated many orphan blocks along the way from doing so. I was looking at quilts but not really knowing much about making a quilt. The only quilts I had in my house were the crazy quilts my grandmother made. And so that’s how this quilt started, I was trying to mimic what my grandmother did. Mimicking what her process was. Because it was the only thing I knew, from watching her quilt as a child. Excerpt 2 Interviewer: What do you think that this quilt says about you? If someone came upon this quilt, what do you think it says about you as a quilter? Interviewee:…Everything I had went into it, along with my everyday life. Maybe it says, I’m open to the life throws at me? I’m a painter by trade previously so I was trying to figure out the color balance and make it all work. It’s been a complete learning experience so it kind of sums up a wide portion of my life including getting married, having a family, moving to New York, it accumulates everything. Excerpt 3 Interviewer: So your interest in quilting was originally sparked by your grandmother? Interviewee: Yes, definitely, and by the basic needs of growing up on a farm. My father had an upholstery business in Minnesota and I grew up on a farm in MN. My motherwas a seamstress for Fingerhut for a while. I don’t know if anyone knows Fingerhut out here. But that’s why my grandma had all theses quilts made out of polyester double-knit. My grandmother was a crazy-quilter. In MN you had about five of these quilts on your bed, because it’s cold and we did not have heat in our house. We heated our house with wood stoves. So we would have about five of these quilts on our bed and they stayed there all night long. The weight of them is unforgettable and comforting. Think you know who the mystery QSOS Interviewee is? Now solve the puzzle to see if you’re right! About Quilt Alliance We rely on the generous support of donors and members like you to sustain our projects. If you support our mission of documenting, preserving, and sharing the stories of quilts and quiltmakers, join us by becoming a member or renewing your membership, making a donation, or learning how your business or corporation can become a supporter of the Quilt…

Quilt Puzzle: Name That QSOS Interviewee 03

Your Quilt Jigsaw Puzzle Tip: for best results, solve puzzle on this page on a desktop computer or laptop. If you are solving on a mobile device, click on the puzzle piece icon in the lower righthand corner to solve on the Jigsaw Planet website.  Welcome to another quilt jigsaw puzzle from Quilt Alliance! This month, we’ve got a new challenge for you! See below for clues. Be sure to sign up for our blog notifications, so that you don’t miss any of the upcoming puzzles.   Name That QSOS Interviewee! This week’s puzzle spotlights a quiltmaker who was interviewed for the Quilters’ S.O.S. – Save Our Stories oral history project on March 7, 2008. This interview is one of the first 20 interviews added to the new QSOS website to launch our QSOS 20th anniversary year. The Quilt Alliance is in the process of a major update for the project that will include searchable audio recordings and transcript, interview summaries and keywords and photos. The entire collection is still viewable on the QA website here, but this new site, when completed (hopefully by early 2020), will make the collection of more than 1,200 QSOS interviews with quiltmakers far more accessible online. Visit the new QSOS site with sample interviews here and consider making a $25 donation to sponsor an interview! Clues: Excerpts from the Interview Excerpt 1 Interviewee: Like any exhibit, one of the most interesting parts I think of doing a quilt show is to stand next to other people and hear their comments, especially if they don’t realize that you made the quilt, whether it is yours or someone else’s, because you really learn the inside of what quilters are thinking. I have often thought that there should be a tape recorder in the back of quilts and then play it later.  Excerpt 2 Interviewer:Tell me about your interest in quiltmaking. Interviewee: Oh, Karen it goes back to the Stone Ages now. My quilting started in New Orleans of all places, although as a little girl I have always done patchwork. I was gifted with a lot of energy and I think to keep me out of my mother’s hair she would give me needle and thread and so I’ve always done stitching. I did the doll clothes thing. I guess I was always with a needle and thread going through cloth. It just always intrigued me, and I really didn’t have any question about what I would do when I went to college. Excerpt 3 Interviewer: How do you want to be remembered? Interviewee: Oh my, I told my group in Wilkesboro, someone asked me that or I guess it came up in the course of my conversation, and I said I guess I will always beremembered for the full proof knot, it was one of the things I taught on one of the very first shows, my full proof knot for quilting and dog ears. I don’t think anyone has come up with, when you cut off the extension of a triangle, those little things fall off and I have always called them dog ears, but that is kind of in jest, but I think what I would love to be remembered for is probably the comment that people say when they saw me doing patchwork on TV is like, well I can do that, if she can do that, I can do that. I guess that is what I would like to be remembered, that I’m really basically an ordinary quilter that was able to transcribe the fun, the excitement of doing it through a television screen and then many people can say, well I can do that. I guess that is what Iwould like to be remembered for. You are getting me all very emotional about this Karen. [laughs.] I guess the bottom line is that for many of us quilting is an emotional thing. I guess that is the bottom line.  Think you know who the mystery QSOS Interviewee is? Now solve the puzzle to see if you’re right! About Quilt Alliance We rely on the generous support of donors and members like you to sustain our projects. If you support our mission of documenting, preserving, and sharing the stories of quilts and quiltmakers, join us by becoming a member or renewing your membership, making a donation, or learning how your business or corporation can become a supporter of the Quilt…

Turning Up the Volume on Quilt History

The Quilt Alliance’s keystone project, Quilters’ S.O.S.- Save Our Stories, or QSOS, celebrates an important birthday this year: two decades of preserving the voices of today’s quiltmakers. This unique oral history collection, the largest of its kind in the world, includes over 1,200 interviews with quiltmakers. Each quiltmaker interviewed between 1999 and 2017 is represented in the collection with an audio recording, a written transcript and photographs of the quilt, often pictured with the maker. The first interviews were conducted at the International Quilt Festival in 1999 with backing from Quilt Alliance founders Karey Bresenhan, Nancy O’Bryant Puentes (both of Quilts, Inc), and Shelly Zegart (of the Kentucky Quilt Project), as well as key Quilt Alliance board members. From 1999 until January 2007, the Quilt Alliance partnered with the University of Delaware, Center for Material Culture Studies, under the guidance of Dr. Bernard Herman, to house QSOS records. From January 2007, the American Folklife Center at the Library of Congress has served as the physical archive for QSOS interview materials. Researchers, in addition to accessing interview transcripts and photographs online via the Quilt Alliance website, can access audio recordings of interviews and related materials directly from the Library of Congress. Since its inception, QSOS has been a grassroots project with volunteer leadership. Volunteers, lead for many years by artist and Quilt Alliance board alumni Karen Musgrave, conducted interviews and curated exhibitions drawn from the archive. In addition, scholars have utilized the archive of interviews in their research. The interviews show us the complexity and diversity of quiltmakers and their quilts. Thanks to the hard work of our volunteers, the anonymous quiltmaker has gained a voice. As we enter the 20th year of the project we are adding a new level of accessibility to this collection of voices. The migration, already underway, will move all interviews and their audio recordings to a new website, qsos.quiltalliance.org. Twenty QSOS interviews have been added to the new site so far, allowing users to listen to the recordings for the first time online. New features allow users to search and browse the interview transcript, create links to specific playback points in the recording, and view an index for each interview. Indexing is done by project volunteers or staff members and entails the creation of a partial transcript, a synopsis and keywords for each section of the interview, all of which make the collection easier to search and browse. The Quilt Alliance is now raising funds to support this transition and to date, 241 interviews have been sponsored by generous supporters. To sponsor an interview, visit the new QSOS website and make a contribution of $25 or more. Your donation will help us cover the cost of preparing an interview to be made available on our new QSOS platform. That includes the costs associated with cassette digitization, file formatting, transcript editing and indexing, web hosting, and other fees. View a list of QSOS Sponsors to date…

Quilt Puzzle: Name That QSOS Interviewee 02

Your Quilt Jigsaw Puzzle Tip: for best results, solve puzzle on this page on a desktop computer or laptop. If you are solving on a mobile device, click on the puzzle piece icon in the lower righthand corner to solve on the Jigsaw Planet website.  Welcome to another quilt jigsaw puzzle from Quilt Alliance! This month, we’ve got a new challenge for you! See below for clues. Be sure to sign up for our blog notifications, so that you don’t miss any of the upcoming puzzles.   Name That QSOS Interviewee! This week’s puzzle spotlights a quiltmaker who was interviewed for our Quilters’ S.O.S. – Save Our Stories oral history project on November 11, 2011. That interview is one of the first 20 interviews added to the new QSOS website to launch our QSOS 20th anniversary year. The Quilt Alliance is in the process of a major update for the project that will include searchable audio recordings and transcript, interview summaries and keywords and photos. The entire collection is still viewable on the QA website here, but this new site, when completed (hopefully by early 2020), will make the collection of more than 1,200 QSOS interviews with quiltmakers far more accessible online. Visit the new QSOS site with sample interviews here and consider making a $25 donation to sponsor an interview! Clues: Excerpts from the Interview Excerpt 1 Interviewer: Can you tell me about your process in creating this particular piece that you brought today? Interviewee: Yes I can. I work from photographs. I took the photograph and enlarged the image using a large format photocopier. On the photocopy, I traced out the majordesign elements with a black sharpie marker. The Sharpie marker bleeds thru the 2:00paper so when completed, the mirror image of the image is created on the back side of the photocopy. This becomes the master template pattern used to create the design. Each template piece was numbered then transferred to paper backed fusible web and then individually cut out. Fabrics were auditioned for each template unit, fused then cut out. Using a applique pressing sheet, the template pieces were reassembled into larger units (petals of the flower). I would work one unit (petal) at a time around the circumference of the flower I worked on entire, then I completed the center. The bee is a needle felted, and the wings are made with Angelina fiber and organza that I stitched , then attached. Excerpt 2 Interviewer: Do you currently belong to any quilt guilds or groups or both? Interviewee: I do. I belong to a number of groups. I am member of International Quilt Association (IQA), Studio Art Quilting Association (SAQA), IQF),Austin [Texas.] Fiber Artists (AFA) and it’s like an art quilt group. I’m also a member ofSurface Design Association (S.D.A.), and the Austin Area Quilt Guild. Excerpt 3 Interviewer: I’m going to ask you some questions about just your general feelings about quilting in general, like what do you think makes a great quilt? Interviewee [seven second pause.] I’d have to think about that for a second. What I think that makes a good quilt really is the fact that it’s been made. We live in such a society where people don’t know how to do anything. They go somewhere else to have things done. I think it’s important to be able to make something and to go through that process so all quilts to me have value and meaning because somebody made them and they weren’t mass produced. I guess I’m not one for kits and that type of thing or preprocessed type stuff. Every quilt has a story, there’s a meaning that every single quilt artist has and they’re trying to convey. So, just the fact that they’re made from a beginning quilt that, the first attempt that somebody trying to do something to most intricate and elaborate style quilts, just the fact that they were even thought of and made in the first place I think means something to me. Think you know who the mystery QSOS Interviewee is? Now solve the puzzle to see if you’re right! About Quilt Alliance We rely on the generous support of donors and members like you to sustain our projects. If you support our mission of documenting, preserving, and sharing the stories of quilts and quiltmakers, join us by becoming a member or renewing your membership, making a donation, or learning how your business or corporation can become a supporter of the Quilt…

Quilt Puzzle: Name That QSOS Interviewee 01

Your Quilt Jigsaw Puzzle Tip: for best results, solve puzzle on this page on a desktop computer or laptop. If you are solving on a mobile device, click on the puzzle piece icon in the lower righthand corner to solve on the Jigsaw Planet website.  Welcome to another quilt jigsaw puzzle from Quilt Alliance! This month, we’ve got a new challenge for you! See below for clues. Be sure to sign up for our blog notifications, so that you don’t miss any of the upcoming puzzles.   Name That QSOS Interviewee! This week’s puzzle spotlights a quiltmaker who was interviewed for our Quilters’ S.O.S. – Save Our Stories oral history project on November 5, 2011. Clues: Excerpts from the Interview Excerpt 1: “I consider myself a traditional quiltmaker, although I’m going into new venues, which is very, very exciting but typically I’ve been known as the Star Lady, and handquilter. So this particular quilt was made entirely by me, I didn’t even have a celebrity stunt sewer do the binding [laughs.] and it has machine pieced stars, hand appliquéd and handquilted.” Excerpt 2: “What is the biggest challenge confronting quiltmakers today? Couple years ago we would’ve said bringing in new quilt, younger quiltmakers, but I’m thrilled about the modern quilt guild, they’re doing their own thing. At Quilt Market you saw all these young women and I see them facing the struggles that I faced as a young mom, being a quiltmaker. I would say right now in history, right now it would be the socioeconomic issues and quilt shops having to close down. I think our industry, despite what’s all going on in the world, is relatively alive and healthy and if all of us commit to bring in one quiltmaker, just one quiltmaker, then that quiltmaker is going to pass her fairy dust onto somebody else just like my Katie Coons.” Excerpt 3: “How will I be remembered as a quilter? The good news is, is I’m on the internet now with [removed to make it harder on you!] because it’s really who I am. I was, I had a persona that was dictated by Home and Garden Television, that I needed to be, and that’s really not who I am. I’m a little bit, have a little bit of a wild side, if anybody knows me. I think how I hope, I hope how I am remembered is somebody that opened the door of quiltmaking to another person and by the magic of me having to fall into that television opportunity, I was blessed that particular incident. It will not be for my quiltmaking skills [laughs.] Think you know who the mystery QSOS Interviewee is? Now solve the puzzle to see if you’re right! About Quilt Alliance We rely on the generous support of donors and members like you to sustain our projects. If you support our mission of documenting, preserving, and sharing the stories of quilts and quiltmakers, join us by becoming a member or renewing your membership, making a donation, or learning how your business or corporation can become a supporter of the Quilt…