Love Never Ends by Chandrea Kowalski
Love Never EndsChandrea Kowalski200815″ x 15″Quilt Alliance My Quilts/Our History Contest Materials: Embroidery, raw edge appliqué on Granny’s hand-quilted quilt that was cut and found in Mama’s trunk. Artist’s Statement: My love of quilts was “handed” down from my Mama, Maria Kowalski and Granny, Beatrice Kiser, both deceased. In my Mama’s trunk, there was an old cut quilt that was my Granny’s. I chose to use a piece for this contest. The rights hands (sister Danice Bible and her daughter Victoria) honor the Mother Child relationship. The left hand honors my quilting mentor Kate Meyers. For Mama and Granny Bea – Our Lives Will Always be a Part of the Others – Love Never Ends.
Re-Introducing the Quilters’ Save Our Stories Oral History Project!
Please join us on June 11th at 2 pm Eastern for a very special free Textile Talk. We’ll be talking about the re-launch of our QSOS project, and sharing more information about how you can help! Read on to learn a little more about the project re-launch, and why we believe so much in the importance of this project.
What is QSOS? QSOS stands for Quilters’ Save Our Stories. Those four words say it all: it’s a project by and for quilters, dedicated to preserving and saving the history, practices, traditions, and stories of our quiltmaking community. QSOS is an oral history project in which one quiltmaker is interviewed about their quiltmaking life—how they came to quilting, how they practice it, what they love (and what challenges them), and what quilting means to their life and the broader world. These interviews are available online and are archived with our partners at the Library of Congress’s American Folklife Center and the Louie B. Nunn Center for Oral History at the University of Kentucky. The project is free and open to anyone who wants to participate. QSOS is a grassroots, community-driven project. Quilters across the country—and the world—have volunteered to record interviews with fellow quiltmakers. These include stories from people like David White, a long-distance trucker who sets up his sewing machine in the cab of his truck; Frances McDonald Boyd, who balanced quilting with a decades-long career in education; and Alice Robinson, who shares a quilt she made during her chemotherapy and recovery from breast cancer. QSOS launched in 1999. Since then, we’ve collected more than 1,200 oral histories. A few years ago, we paused active interviewing to reflect and retool the project to make it more user-friendly, enhance digital accessibility, and streamline the interview process for the digital age. Now, we’re bringing QSOS back, and we invite you to join us for a new era of this important project.
What’s new? A simpler, more accessible interview processWe’ve updated the QSOS project for the digital age. Instead of mailing paper transcripts and cassette tapes back and forth and transcribing each interview manually, interviews can now be recorded digitally, and submitted online. Updated interview questions and guidanceThe interview topics and question bank have been revised to reflect the current quilting world. New interview guidance helps interviewers and participants explore what quiltmaking looks like today, including the tools people use, the issues they care about, and how quilting fits into their lives in the 21st century. A new way to listen and browseQSOS interviews are now easier to search and use: each new interview will have an interview index that makes the interview easier to navigate. The new system makes it simpler, whether you’re doing research in quilt history, looking for a new teacher to visit your guild, or just listening to an interview with a friend. Improved support and resources We’ve refreshed the training materials for interviewers, interviewees, and quilt groups. The updated guides are clearer and more practical, making it easier to participate—whether you’re recording a story, helping someone else do it, or organizing a guild project.
Why does QSOS matter? We believe that the QSOS project: Empowers quilters to tell their stories QSOS is for every quilter. You don’t have to be a quilt show winner or a hand-quilting virtuoso. We welcome interviews from new quilters, occasional quilters, people who quilt for a living, retired quilters, guild members, and solo quilters. No two quilters are the same, and everyone’s story deserves to be heard and celebrated. Supports research Quiltmaking is the most widely practiced traditional art in America. These interviews are valuable for quilt historians, but they also touch on topics such as grief, creativity, economics, women in the workforce, parenting, aging, and community life. The interviews are first-hand accounts of lived experience in the 21st century. Commemorates and remembers QSOS interviews help us remember the voices of quiltmakers who are no longer with us, and they celebrate events like quilt shows, major projects, local guilds, and more. They offer a snapshot in time. Encourages community collaboration The project is a meaningful undertaking for groups and guilds, encouraging members to learn more about their friends, neighbors, and colleagues. Expands public understanding These interviews make the invisible visible. They show the world how meaningful the practice of quiltmaking can be—and just how much thought, care, creativity, and labor go into a single quilt.
How can I get involved?
Our Hurricane Helene Story
Published in the Oct-Nov 2024 issue of the Quilt Alliance Newsletter By now, I’m sure most of you have seen photos and videos of the devastation caused by Hurricane Helene in Western North Carolina. The Quilt Alliance’s home base is in Asheville, NC; since the storm in late September, QA staff have been in recovery mode and missed sending out the October issue of this newsletter. Let me fill you in: We gave up our brick-and-mortar office in 2017 to save money, and Debby Josephs and I work remotely in our home offices in Western NC, and Emma Parker is located in Central NC. Debby and I were unable to work for weeks due to power, cell, internet, and water outages, but we were incredibly fortunate that our homes were not damaged by the storm. The QA’s equipment, supplies, and records are kept at a storage space on Swannanoa River Road in Asheville that was flooded to the rafters. The building is still standing (unlike the storage building next door, which is now just a concrete slab). The facility has been boarded up since the storm and we do not expect to recover any of our items (paper records, quilts, exhibition and documentation equipment and supplies). Like 95% of other businesses and individuals affected by the hurricane, the QA’s insurance policy does not cover flood damage. This loss feels small compared to so many in our area who lost family members, homes, and jobs because of this 500-year storm. We have resumed normal operations and are working hard to make up for lost time in fundraising and project planning during this critical season in the nonprofit calendar. Thank you to everyone who contacted us to check in and send love and support. This year’s annual donation drive is especially important and I hope you will all consider contributing whatever amount fits your budget. You can make a donation or become a QA member here (individual and guild) and I want to thank you in advance for supporting our recovery effort. Thank you! Amy Milne, Executive Director
Panel: The Impact of Federal Funding Cuts to Fiber Arts
This event was held on Thursday, May 15 @ 4 pm EDT on Zoom. Join us for an urgent community discussion this week. Hear how recent federal funding cuts are affecting fiber artists and organizations, and find out how you can help. Panelists include Amy Milne of the Quilt Alliance, Elaine Y. Yau of UC Berkeley Art Museum and Pacific Film Archive, Susan Hudson a Diné Artist and 2024 NEA National Heritage Fellow, and Karena Bennett of the Surface Design Association.
Ways to Support the Quilt Alliance
If quilt documentation, preservation, and education remain a priority to you, we need your help right now. Here are some ways you can take action to support the Quilt Alliance and our community. Join the Quilt Alliance as a member or make a donation. Sustaining memberships allow us to budget in advance for projects and programs Encourage your guild to become a group member: includes free Zoom lecture, advertising, and QA Affiliate memberships for all group members Contact your congressional representatives in support of the National Endowment for the Arts. Subscribe to the QA newsletter Follow us on social media @quiltAlliance: IG, FB Share your quilt story to ensure that your voice is included and your quilts’ stories do not fade away.
Amy MilneQuilt Alliance
Elaine Y. YauBAMPFA
Susan Hudson2024 NEA National Heritage Fellow
Karena BennettSurface Design Association
NEA Grant Terminated
The Quilt Alliance was stunned to learn last week that our National Endowment for the Arts grant has been terminated without warning, and future federal funding is uncertain. In July 2023, the Quilt Alliance was thrilled to launch the second phase of the Community Quilt Days project. After seven successful quilt documentation events in rural Appalachian communities, we applied to the National Endowment for the Arts for the funds to expand our documentation work to five new groups. The NEA’s Grants for Art Projects program awarded the QA $20,000 to work in partnership with communities that are underrepresented in our quilt documentation projects, including: African American quilters, Native American quilters, Modern quilters, and quilters who volunteer for the Quilts of Valor Foundation. The required 50% matching funds came from four family foundations as well as individual donors and members. On Friday, May 2, at 10 pm, we received an email from the NEA saying that our grant has been terminated, effective May 31, 2025. The NEA is updating its grantmaking policy priorities to focus funding on projects that reflect the nation’s rich artistic heritage and creativity as prioritized by the President. Consequently, we are terminating awards that fall outside these new priorities. The NEA will now prioritize projects that elevate the Nation’s HBCUs and Hispanic Serving Institutions, celebrate the 250th anniversary of American independence, foster AI competency, empower houses of worship to serve communities, assist with disaster recovery, foster skilled trade jobs, make America healthy again, support the military and veterans, support Tribal communities, make the District of Columbia safe and beautiful, and support the economic development of Asian American communities. Funding is being allocated in a new direction in furtherance of the Administration’s agenda. Your project, as noted below, unfortunately, does not align with these priorities:Purpose: To support the research, documentation, and care of quilts. Today, we submitted an appeal of the termination since we are working with communities listed in the updated priorities statement (Tribal communities and veterans). Since the grant project period is near completion, we expect to receive the remaining funds. The funds we receive from the NEA not only help us work with partners to collect quilt and maker documentation, but they also allow us to bring these stories to you, our community. Oral histories and videos documented via Community Quilt Days have been shared via free Textile Talks and presented on our free YouTube channel, and all oral history interviews we collect are shared on the free Quilters’ Save Our Stories project website and archived in the Library of Congress and at the University of Kentucky’s Nunn Center for Oral History. Support from the NEA and our partnerships with the Library of Congress and the Nunn Center signal to our community that we are meeting high standards and are worthy of trust and reliability as a partner. Despite the changes in the NEA’s priorities, we believe the “research, documentation, and care of quilts” is still a priority for our community. We do not intend to alter our focus or discontinue our goal of documenting quilts and quiltmakers from all areas of our community, including voices that are currently underrepresented in our projects. We want the QSOS oral history collection to be a true representation of quiltmaker voices across America. In April, we were excited to submit a new grant proposal to the NEA that would support regional quilt documentation trainings across the country. We plan to partner with museums, other nonprofits, and corporate partners to teach our projects to others so that guilds and groups can establish and sustain documentation work in their area. Included in this proposal is a timeline of quilt stories from 1776 to the present. The grant was submitted under the NEA’s priorities for the Folk and Traditional Arts category, and with the recent policy change, we’re not confident about whether our proposal will be considered at all. This uncertainty makes it difficult to budget and plan for upcoming project work. Since we received our grant termination notice, we’ve heard from other nonprofits in our community of fiber arts organizations. Berkeley Art Museum and Pacific Film Archive also received a termination notice. Other colleague organizations, like the Surface Design Association, await notification of NEA grant submissions made last summer. Thank you in advance for your support. Our community is strong and your voice matters!
Do we align with your priorities?
If quilt documentation, preservation, and education remain a priority to you, we need your help right now. Here are some ways you can take action to support the Quilt Alliance and our community. Join the Quilt Alliance as a member or make a donation. Sustaining memberships allow us to budget in advance for projects and programs Encourage your guild to become a group member: includes free Zoom lecture, advertising, and QA Affiliate memberships for all group members Contact your congressional representatives in support of the National Endowment for the Arts. Subscribe to the QA newsletter Follow us on social media @quiltAlliance: IG, FB Share your quilt story to ensure that your voice is included and your quilts’ stories do not fade away.
Go Tell It! interview with Casey Engel recorded at QuiltCon 2024. Watch!
Textile Talks: QSOS with Annie Ruth Ware Brown conducted by A’donna Richardson. Watch!
Textile Talk: QSOS Interview with Susan Hudson conducted by Teresa Duryea Wong. Watch!
Go Tell It interview with Charles Cameron recorded at QuiltCon 2024. Watch!
20 Things I Like About You by Victoria Findlay Wolfe
20 Things I Like About YouVictoria Findlay Wolfe201320″ x 20″Quilt Alliance TWENTY Contest Materials: Cotton Couture by Michael Miller, cotton and wool batting. Trapunto, machine embroidery, hand quilted and hand appliqué with 12 wt thread. Artist’s Statement: While I was thinking of the theme, 20 things… kept creeping into my brain…Then I thought about affirmations, and how when they say journal, and write as many nice things as you can about yourself…I thought, What if I quilted, “20 things I like about you”, so when you read it, whether you think of 20 or not, you’d get a smile on your lips…Also, adding 20 happy polka dots never hurt an affirmation either! Visit Victoria’s website.
Quilt Reading by Rachel Ivy Clarke
Quilt ReadingRachel Ivy Clarke201016″x16″Quilt Alliance New From Old Contest Materials: Machine pieced patchwork from recycled textiles; machine quilted. Artist’s Statement: What better transition from old into new than vintage fabrics and discarded industry samples (which ordinarily would have been sent to a landfill) recycled and reclaimed into this new quilt, which employs traditional historical patchwork techniques to create a QR code; a modern, cell-phone readable barcode with the ability to store text, phone numbers, URLs and other data. Users with a camera phone and cod-reading software would scan this piece to discover that it reads “quilts.” This quilt was featured in “Cross switch: Stitching gets technical – in pictures,” The Guardian, June 15, 2011. QA members can watch Rachel Ivy Clarke’s workshop, “An Archive of Your Own: Using Spreadsheets to Describe and Catalog Your Quilts” in your Member Portal/Video & Audio Recordings/QTM 2024 Recordings.
QuiltCon 2025: What to expect
Come visit the Quilt Alliance booth #208 at QuiltCon in Phoenix! Pick up some free resources If you’re new to the Quilt Alliance, you’ll find brochures and handouts about: QA quilt documentation and oral history projects Membership for individuals and groups Handouts on quilt labeling, quilt care, and storage Sample quilt labels Sign the Labeling Pledge The Quilt Alliance’s motto is No More Anonymous Quiltmakers, and our booth includes a giant Labeling Pledge banner. Add your signature to the pledge, and take a pin and a selfie to let the world know your quilt history matters! Join! We have some fabulous new thank you gifts (see below) for all new members and current members who renew at a higher level. All items were selected to support your quilt documentation routine. Shop! Pick up some QA logo bling to show your support and look cute at the same time! We’ll have No More Anonymous Logo Tees, QA lapel pins, QA bandanas, and a super fun sticker sheet for sale.
Membership Levels and Thank You Items at QuiltCon Student Level, $20: 10 Ways to Label Fat Quarter & Downloadable Quilt JournalFriend Level, $30: 10 Ways to Label Fat Quarter & Downloadable Quilt JournalAlbum Level, $60: Add Printed Quilt JournalSunburst Level, $90: Add Zippered Documentation Kit with Micron 01 pen & 120″ measuring tapeSignature Level, $150: Add QA logo bandana
Items for Sale QA logo lapel pin $5QA sticker sheet $5QA logo bandana $20QA logo tee $30
New Membership Pricing & Thank You Gifts
Beginning April 1, 2025, Quilt Alliance membership fees went up $5/level/year. This modest increase will allow us to keep up with rising operating costs. Begin or renew your membership here. We have some fabulous new thank-you gifts to offer all new members and members who renew at a higher level. And all members will benefit from new downloadable versions of the Quilt Journal and the 14 Ways to Label a Quilt Fat Quarter now available in your member portal under Guides & Documents. You can also purchase the fat quarter directly from Spoonflower. New thank-you gifts were selected to support your quilt documentation routine.
Individual Membership Levels and Thank-you gifts* Student ($25): Quilt Label Fat Quarter, Quilt Journal (digital version) Friend ($35): Quilt Label Fat Quarter, Quilt Journal (digital version) Album ($65): add Quilt Journal printed version to all items above Sunburst ($95): add Documentation Kit (zippered pouch with 120″ measuring tape and Micron pen) to all items above Signature ($155): add QA bandana to all items above Affiliate Discount ($35 off): a discount program for QA Group/Guild members. A coupon code is supplied to groups/guilds when they join to share with members who want to register for their own individual QA membership at a free/discounted rate. *Thank you gifts apply to new members. Members who renew at the same level can opt to receive a QA Label Fat Quarter. Members who renew at a higher level receive the benefits for that new level. Affiliate discounts used for the Friendship level are virtual only. Thank you for helping us make the most of your support!
Respite by Suzanne Porcella Byrd
RespiteSuzanne Porcella Byrd200916″x16″Honorable Mention Award, Quilt Alliance Crazy for Quilts Contest Materials: Cotton fabric, machine pieced and quilted, muslin batting, jonestones metallic paint and a pin from “California Milk”. Decorative stitching done on a Bernina. Design from strip piecing technique with appliqued flowers. Artist’s Statement: Sometimes life just seems to be overwhelming. Being pulled in so many different directions by family, friends, pets, jobs, autos and household appliances that keep breaking down, yard work, etc. can all leave little time for entering a quilt contest! But, I managed to get one done and realized that it gave to me a little bit of rest and complete satisfaction and I realized the importance of taking a break from daily challenges.
Remembering Bernie Herman
Tips for Displaying Your Quilts
From Adele Swanson: I have been using the Velcro picture hangers for some of my quilts. Depending on the size of the quilt I will use as many as I think will work. I typically buy the 16 lb. size. I recently bought some Atomic Grip tape and may try that, too
From Anne Mullis: I have been hanging several of my quilts for some time, using 3M’s Command strips (I use the ones which look similar to hook & loop tape). The adhesive is extremely kind to fabric, removes quite easily from both the quilt and the wall, and has not left any residue or marks on my quilts! I have even used this method to hang a couple of quilts when my guild had our biennial show back in March, and received several comments about it – guests wanted to know how the quilts were hung, did the strips do any damage, etc. The only down side I can think of is having to wait for an hour to actually put the quilt on the wall, per the package directions.
From Dr. Laura Guertin: Excerpt from Laura’s blog post about this challenge: I’m focusing this blog post on what I do when I need to hang my quilts, and how I have used varying hardware over time. I feel that it is still a learning process, figuring out how best to hang my quilts in various locations for different displays. …The stand you see in the final image of the slideshow is actually a stand for paper rolls or a fabric background I purchased online through B&H Photo. It was so hard to find something I could use to display hanging quilts, something that could be easily moved and transported. This stand isn’t bulky and is easy to set up and break down. I purchased several which allows me to display more than one quilt at once.






