Today’s Q.S.O.S. Spotlight features an interview from one of my favorite projects, the Healing Quilts in Medicine Q.S.O.S., which interviewed quilt makers who created art quilts for the oncology waiting areas of Walter Reed Army Medical Center. The theme of the quilts was the plants and animals used to make the medicine in chemotherapies. Today we’ll hear from Annabel Ebersole about the quilt she created, and the influence that living abroad had on her quilts–and herself.
First, Annabel shared a bit about the quilt she made for the Healing Quilts in Medicine project:

“Periwinkle Dreams” is a quilt that I made with a group of other quilt artists gathered together by Judy House.  The quilts were destined to be hanging at Walter Reed in the cancer treatment area, and Judy had been ill with cancer and was treated at Walter Reed.  Some of us were students of hers and some were nationally known quilters.  We all chose a theme of plants or underwater sea creatures or some other form of natural substance that was being used for chemotherapy research and periwinkle apparently has been used.  I know someone else made a large quilt with the periwinkle flower, but I was particularly drawn to making the flowers smaller, they are in the forefront of my quilt, and then there is this lovely garden hillside behind it and a blue sky and a tree and a fence and there is a little feeling of the pathway, two pathways running through the garden part.  We met several times at Judy’s friend, Kay Lettau’s, house, and we would go there with different drawings of what we were going to be working on and kind of went around the circle and everyone talked about what they were going to do.  Mine had warped from something else that was bigger into this particular style that just felt really right.”
Annabel also shared some of the ways living abroad has shaped her visual interests, and the rest of her life…
“We had a four-year tour in Portugal from 1980 to ’84 and from there we went to Brazil
from ’84 to ’86, and then we were lucky enough to have four years in London.  Starting with Portugal, the Portuguese have a long history; there are beautiful tile walls and floors that are there; there is lovely silver that is just exquisite; there are beautiful old castles; and there are some private homes and castles that have been made into hotels called Posadas.  We arrived with an eighteen month old daughter and then had our second daughter when we lived in Portugal, so when Bruce and I were able to get away for a weekend we would go to different Posadas and kind of explore that area.  Even having one night away was really golden for us.  [laughs.]  The girls were great travelers, and we would drive regularly up from the Lisbon area up to Sintra, which is a hillside castle with a town at the base of the castle. We went further north toward Porto and outside of Porto there is an incredible Iron Age village called Citania de Briteros that kind of makes the hair on the back of your neck stand up.  It is just these huts with little kind of walkways with gutters in them and at the time there was a man who lived there who was the caretaker but it didn’t have a lot of protection the way you would think something would that is kind of a national treasure.  They also had Roman ruins in Portugal, and we really enjoyed seeing mosaics and other evidences of the Roman presence, and Coimbra had this beautiful library.  I think I’ve always been fascinated with architectural details.  

I’ll spring forward to London because that is one place where we really visited several stately homes.  I was able to take a survey course of different periods, like the Georgian Period.  We would learn about some of the art, the architecture, the gardens, the silver, everything from that period with just a little short history of who was the king, and  what was going on in terms of political intrigue or whatever. We would visit the Victoria and Albert Museum and I think this class lasted probably three or four months. It was down in Kensington and that was a real highlight for me.  I have always loved the skylines; the rooflines in England are just fascinating and if you go to a castle and you are able to look at some of the chimney pots that are intricately decorated, these brick chimney pots that swirl around or they have a step like effect in them.  Then you think of seeing a roofline and chimneys in Holland and you realize that there are some similarities that cross over and you are reminded of all the explorers.  The Portuguese certainly got around everywhere, and the quality of learning the history and having lived in Europe was fascinating.  When we were posted in Brazil I was involved with the American Women’s Club and we helped to start a nursery school in an orphanage.  There was amazing poverty in Brasilia.  The capitol itself is middle class and then there are some very, very wealthy people there.  In the outlying satellite cities it can be extremely poor. We were invited to visit our, well we went to one wedding of a very working class family and were invited to another one and really got to see how the other half lived and visiting the orphanage was an eye opener. Through the American Women’s Club, we raised money for wheelchairs for people who lived in just poverty stricken areas.  I came back with just a huge awareness of how fortunate Americans are and how much we have. ” 

You can read more quilt stories on the Quilters’ S.O.S.- Save Our Stories page on the Quilt Alliance website.


Posted by Emma Parker
Project Manager,  Quilters’ S.O.S.- Save Our Stories

How To Trim Flying Geese Without A Specialty Ruler

If you don’t have a Bloc-Loc ruler, you may find trimming these flying geese challenging. But by following these steps, you should be able to get four accurate geese in each color!

First, line up your ruler so the point of the flying geese unit will be trimmed exactly ¼” above the point. Try to line the unit up as straight as possible on the other three sides.

Next, flip the unit over. Line up the edge you just cut on the 2” line of the ruler as shown below, and trim the excess from the top.

Flip the unit right side up again. Line the lower left corner up with the 3 ½” mark on your ruler as shown above. Trim the excess on the right.

Finally, flip the unit over again so the point is pointing towards the 2” line. Align the left edge of the unit with the 3 ½” ruler mark as shown above and trim the excess on the right. Your flying goose unit is now ready to be pieced into your block!

Quilt Documentation Tip

 Andrea’s block story is all about the importance of quilt guilds. Quilting can feel solitary, but guilds bring us together. It’s a topic of conversation that was discussed with two Birthday Block of the Month Designers in a recent Textile Talk where the participants all shared emotional stories about their love for their guilds. 

Did you know that your guild can document your quilts as a group? Consider hosting a quilt documentation day in your guild! Follow these instructions and have members share three minute stories about one meaningful quilt in the Quilt Alliance’s signature Go Tell It documentation program. You could even host a screening so all of your members can see the videos! Get in touch at:

See You in October for Month Seven!

Thank you so much to everyone who has participated in the Quilt Alliance’s Birthday Block of the Month so far! Our designer for next month, the seventh block we’re making together, is Bonnie Hunter herself! 

Be sure to tag @quiltalliance and @3rdstoryworkshop on Instagram with your block photos this month, and use the hashtag #QuiltAllianceBOM. And leave any questions about this month’s block in the comments below!


  1. Ankie Asar

    An interesting read but I am taking umbrage at your statement of “amazing poverty in Brazil” and your visit to a’ VERY working class wedding” being eye openers. Have you never seen poverty in the USA? ( I am presuming you are US citizens) Poverty is NEVER amazing, it is always only demeaning for poor people to be exposed to statements such as I have just read….. Count yourself lucky not to be poor. Most of the world is just that….

    • quiltalliance

      Hi Ankie,

      Thanks so much for your thoughtful comment. This is an excerpt from an interview conducted several years ago with quilter Annabel Ebersole. Annabel clarified that she did not mean ‘amazing’ with any positive connotation, only that it was poverty of a magnitude she’d not seen before, abroad or in the US.

      -Emma Parker
      Q.S.O.S. Project Manager


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