Protected: Quilt Alliance Grant Report to the Robert and Ardis James Foundation

Expanding the Reach, Audience and Impact of the Q.S.O.S. Oral History Project A Report to the Robert and Ardis James Foundation Reporting period: 4/30/13 – 2/1/14 Grant period: 3/1/12 – 2/28/14 Report updated: 5/15/19 Increasing Accessibility: Simplifying the Q.S.O.S. Manual In 2013, Q.S.O.S. volunteers and staff pinpointed the revision of the manual as an important step to encourage participation in the project and expand Q.S.O.S. internationally. Pauline Macaulay and Janneken Smucker helped update the manual, which had not been updated since 2008. The revised Q.S.O.S. Guidebook is now available on the Quilt Alliance site for download and includes current Quilt Alliance branding, up-to-date technological guidelines and best practices, and a simple, clear protocol for conducting or participating in a Q.S.O.S. interview. In an effort to make the Q.S.O.S. process more inclusive and increase participation, we have reduced the guidebook in length from 58 to 17 pages, creating three new ‘Quickstart Guides’ to clearly explain each Q.S.O.S. role. We will be able to easily adapt the new guidebook as the project evolves and expands. Widening Our Reach: Internationalization of the Q.S.O.S. Protocol With help from the Quilt Alliance, board member Pauline Macaulay launched the Talking Quilts Oral History Project, a UK-based oral history project modeled after the Q.S.O.S. protocol. The project received £89,100 from the Heritage Lottery Fund after Macaulay conducted a pilot study using the Q.S.O.S. method with London-area quilters. Talking Quilts and Q.S.O.S. are in the planning stages of development a platform for sharing the UK project alongside Q.S.O.S. When developed, future international sub-projects or Q.S.O.S. sister projects around the world will be able to adapt the platform to share their records. Not Fade Away: Sharing Quilt Stories in the Digital Age The Quilt Alliance’s inaugural quilts and oral history conference, Not Fade Away: Sharing Quilt Stories in the Digital Age, was held on July 20th, 2013. Holding the conference in conjunction with Sacred Threads, an established Northern Virginia quilt show,  defrayed venue costs, encouraged participation and allowed attendees the opportunity to visit the exhibition during the event. The one-day conference included: Keynote session from Janneken Smucker entitled Quilt Stories/Storied Quilts, Demonstrations of a Q.S.O.S. interview, with quiltmaker and fabric designer Jinny Beyer, and Go Tell It at the Quilt Show! interviews, with quilters featured in the Sacred Threads exhibition, Panel discussion featuring textile curators Marin Hanson, Nancy Bavor, Mary Worrall and Suzanne McDowell Breakout sessions focusing on Q.S.O.S. training, self-publishing and social media for quilters, quilt photography and quilt labeling. 70 people attended the conference, with 15 home tickets sold. Home tickets allowed participants to virtually attend the conference from around the country and included video footage of Janneken Smucker’s keynote speech, the Q.S.O.S. interview with Beyer, Go Tell It at the Quilt Show! interviews and the curators’ panel discussion.

  Sharing Resources: Q.S.O.S. Spotlight Blog Series Emma Parker has created a weekly series of posts on the Quilt Alliance blog, called the Q.S.O.S. Spotlight, that features excerpts from compelling or topical Q.S.O.S. interviews. The posts encourage interaction with the Q.S.O.S. collection and offer an opportunity to share content from the archive. Ardis James Q.S.O.S. Scholars Program The Ardis James Q.S.O.S. Scholars Program has announced its first 3 scholars, each of whom is crafting an illustrated essay from curated content from the Q.S.O.S. archive. The Scholars Program aims to mine the rich resources of more than 1,000 Q.S.O.S. interviews and encourage the use of this repository for research, scholarship and education. The scholars’ essays were shared on the Alliance site in the spring of 2014. Visit the Ardis James QSOS Scholars Program homepage here. The first three Ardis James Q.S.O.S. Scholars are: Barbara Brackman, quilt historian, curator and teacher. Barbara is the author of a number of books about quiltmaking and quilt history including the Encyclopedia of Pieced Quilt Patterns and Clues in the Calico: A Guide to Identifying and Dating Antique Quilts and was inducted into the Quilters Hall of Fame in 2001. Barbara’s project will be an essay or gallery that will examine interviewees’ use of aesthetics in discussions of their work such as color, design, pattern and the use of inspiration such as commercial patterns, photographs and other works of art. Merikay Waldvogel, author, quilt historian and lecturer. Merikay has written several books about quilts in the 20th century, including Soft Covers for Hard Times: Quiltmaking and the Great Depression and, with Bets Ramsey, Quilts of Tennessee: Images of Domestic Life Prior to 1930. She was inducted into the Quilters Hall of Fame in 2009. Merikay’s project will revisit Linda Claussen’s 2002 Q.S.O.S. interview, including an exploration of the controversy surrounding the Smithsonian Institution’s licensing of the reproduction and sale of important quilts its collection. Christine Humphrey, doctoral student at the University of Nebraska-Lincoln. Christine received her master’s degree in textile history with a quilt studies emphasis at the University of Nebraska-Lincoln, where her master’s thesis focused on the roots of American quilt documentation projects from 1980-1989. Christine has already submitted the first Scholars Program essay, drawing on her original research from the Q.S.O.S. archive, and dovetailing with her doctoral research in textile history at UNL. Her essay—available here—is an accessible, informative exploration of the ways that quilting skills are learned and shared with future generations. Alll three essays, are shared on the Ardis James Scholars Program homepage on the Quilt Alliance website. We used social media to raise awareness of the program. Go Tell It at the Quilt Show! Growing and Expanding             [youtube http://www.youtube.com/watch?v=op4EByMJISQ&w=420&h=236][youtube http://www.youtube.com/watch?v=6gXMkl0bNlw&w=420&h=315][youtube.com/watch?v=SmNE1v4bhPY&w=420&h=315] Go Tell It at the Quilt Show!–the Alliance’s newest project–has grown quickly since its start in 2012. Currently, the Quilt Alliance YouTube channel features 50 (updated 5/15/19: over 500) 3-minute videos filmed across the country, including at the Not Fade Away conference in Herndon, Virginia, at Quilters Take Manhattan and at the International Quilt Festival in Houston. 2014 will see the launch of Go Tell It at the  Museum!, thanks to a partnership with the International Quilt Study Center & Museum at the University of Nebraska-Lincoln. We will collect Go Tell It! stories at the Museum’s celebration of National Quilting Day on March 15, 2014. Guidelines for public submission of Go Tell It! videos are in progress, as well as training programs for guilds, museums and events interested in filming their own Go Tell It! videos. To help us conceptualize this project, we have proposed a paper for presentation at the Oral History Association’s annual conference in fall 2014. The OSA conference provides an opportunity to solicit advise from colleagues in the field of oral…

Fearless.

On this day in 1913, future civil-rights activist Rosa Louise McCauley Parks was born in Tuskegee, Alabama to a teacher and a carpenter. She was of African, Cherokee-Creek, and Scots-Irish ancestry. Parks received many national awards for her achievements including the Presidential Medal of Freedom, and upon her death in 2005, she was the first woman to lie in honor at the Capitol Rotunda. Sherry Shine of East Orange, New Jersey, made this 46” x 36” painted and machine quilted wholecloth piece, titled “Fearless” in 2009. The quilt was included in the exhibition “Journey to Hope,” curated by Carolyn L. Mazloomi. From Shine’s statement about her piece: “Rosa Parks and President Barack Obama are two iconic figures who changed the face of history with the understanding that greatness is never given–it must be earned.” The quilt is now in the permanent collection of Michigan State University Museum. View this quilt on The Quilt Index to find out! Read more about its history, design and construction. Be sure to use the zoom tool for a detailed view or click the “See full record” link to see a larger image and all the data entered about that quilt. Source: http://en.wikipedia.org/wiki/Rosa_Parks http://www.achievement.org/autodoc/page/par0bio-1 Posted by Amy E. Milne Executive Director, Quilt Alliance…

Making Ocean Waves.

On this day in 1953, French oceanographer Jacques-Yves Cousteau published his famous book, “The Silent World” about the hidden universe of undersea creatures. A film version was released in 1956 that was a winner at the Academy Awards and the Cannes Film Festival. Dorothy Lou Hicks (1883-1971) of Sevier County, Tennessee hand pieced and hand quilted this Ocean Wave String quilt around 1940. Its owner, who received the quilt from the maker’s sister, documented the quilt as part of the Quilts of Tennessee project. View this quilt on The Quilt Index to find out! Read more about its history, design and construction. Be sure to use the zoom tool for a detailed view or click the “See full record” link to see a larger image and all the data entered about that quilt. Source: http://www.history.com/this-day-in-history/cousteau-publishes-the-silent-world Posted by Amy E. Milne Executive Director, Quilt Alliance…

Q.S.O.S. Spotlight

One of the most compelling Q.S.O.S. sub-projects is the ‘Alzheimer’s : Forgetting Piece by Piece QSOS’. It’s comprised of interviews with quiltmakers featured in the touring quilt exhibit of the same name, curated by Ami Simms. This week and next weeks’s Q.S.O.S. Spotlight will feature two quiltmakers whose mothers were diagnosed with Alzheimer’s, and the quilts they created to help celebrate, memorialize, mourn and support those affected by the disease. Gay Ousley’s quilt, ‘She’s Come Undone’ began with verbs: “My mother had Alzheimer’s disease and at that time we were struggling and sort of at the end of her life, and I began to look back on the things that she had enjoyed. My parents had a wonderful life. They traveled all over the world. They were very active in their community, in their church, they liked to socialize, they had a big network of friends. My mother enjoyed golf and she was in two bridge clubs; all that was taken away when she got Alzheimer’s. I began to think about this, and since she was an English major in college, words were important to her. I decided that I would use words, verbs that would tell the story of what she could no longer do… I cut letters out for these words and fused them down to the background fabric and then I stitched them inside the letters so the edges would fray as the trip went on its journey, because this Alzheimer’s just frays everybody and everything that it comes into contact with.” Linda Cooper’s quilt combines a tribute to her mother and grandmother’s love of gardening with the biological science of Alzheimer’s: “My quilt is rather understated, it is a little subtle, it doesn’t hit you in the face like some of the other quilts do with the horror of the disease. Both my grandmother and my mother were wonderful gardeners and they took great pleasure in getting outside the house and doing something and making something grow. They lived in Ohio and they enjoyed it when the weather finally got good and they could go out and make things grow so I used the daylily. I used a technique that I learned from Phil Beaver. He is from Indiana and he does fabric painting. I used that for the background and I put daylilies on it. I appliquéd first around the daylilies with variegated thread so they didn’t look too abrupt and the edges are raw and some of the stems were a little wacky and they sort of look like the flowers would have grown outside. The background of the painting has some bright spots and some dim spots. The flower inside, it is more of the memory of my mother and grandmother, and in the border I used–I’m a biologist. I trained at Purdue as a neurophysiologist and so I used the brain plaques, the amyloid plaques that they see in Alzheimer’s and I beaded the nerve cells and once in a while there would be a normal nerve cell and then I would stitch in a sort of convoluted one and put some  beads in there, so that is the biological tie of the disease.” You can read more quilt stories, including more stories from the ‘Alzheimer’s: Forgetting Piece by Piece QSOS’ sub-project on the Quilters’ S.O.S.- Save Our Stories page on the Quilt Alliance website. Posted by Emma Parker Project Manager,  Quilters’ S.O.S.- Save Our Stories…

Full and Change of Moon

On this day in 1971, Apollo 14, piloted by Alan Shepard, Edgar Mitchell and Stuart Roosa is launched from Cape Canaveral, Florida, on the third U.S. mission to the moon. Apollo 14 returned safely to Earth on February 9 with 96 pounds of lunar samples collected by the astronauts. Ann Johnson Armstrong (1865-1930) of Hickman County in western Kentucky made this “Full and Change of Moon” quilt between 1876-1900. The quilt was documented during the Kentucky Quilt Project. View this quilt on The Quilt Index to find out! Read more about its history, design and construction. Be sure to use the zoom tool for a detailed view or click the “See full record” link to see a larger image and all the data entered about that quilt. Source: http://www.history.com/this-day-in-history/iapollo-14i-departs-for-the-moon Posted by Amy E. Milne Executive Director, Quilt Alliance…